There’s an unbalanced assumption for conduct in music and film, contingent upon who the hero is.

As far as some might be concerned, we’ll acknowledge the craftsman’s way of behaving as fictitious and relish the sensation of the person’s freak nature.

Be that as it may, assuming the person addresses a power of nature we commonly wouldn’t connect with savage way of behaving or way of talking, we change off our minds to insincerely decipher their content just like a genuine source of inspiration.

This specific overcompensation to imaginativeness is not any more clear than in that frame of mind to country star Jason Aldean’s melody and music video “Attempt That in a Humble community,” as he portrays tumultuous scenes of wilderness in American urban areas to pound home the point that this conduct wouldn’t go on without serious consequences in a humble community.

Sucker punch somebody on a sidewalk

Carjack an old lady at a red light

Pull a gun on the owner of a liquor store

Ya think it’s cool, well, act a fool if ya like

Cuss out a cop, spit in his face

Stomp on the flag and light it up

Yeah, ya think you’re tough

Got a gun that my granddad gave me

They say one day they’re gonna round up

Well, that shit might fly in the city, good luck.

Singer-songwriter Sheryl Crow is one of many indignant about Aldean’s lyrical use of subtle threats and illustration of the feelings of small-town America.

“I’m from a small town. Even people in small towns are sick of violence. There’s nothing small-town or American about promoting violence. You should know that better than anyone having survived a mass shooting,” Crow lectured.

Left-wing outlets have expressed similar outrage over the song suggesting there’ll be vigilantism if you bring harm against the residents of a small town.

Sheryl Crow criticized Aldean for promoting gun violence with his song.

They’ve applied the typical accusation that such a thought is a dog whistle for racists — yet they can hear it.

I don’t think they know how dog whistles work.

The left-wing outrage mob wants to convince you its motivation is to curb violent rhetoric wherever it stands, including in musical form, or else it will encourage real violence in our society.

But if that’s true, why are they so muted when it comes to hip-hop music?

The music video depicts someone burning an American flag.

They don’t say anything about hip-hop because they’re fine with the exaggerated imagery of black people being violent and proudly degenerate.

I mean, by their standards, supporting any artistry that advocates violence against black people must be propaganda for white supremacy, right?

The No. 1 music genre in the country must be destroying a plethora of eardrums with all the dog-whistling happening with the constant depiction of inevitable black death coming for the artist’s nemeses.

Violent people don’t need an anthem to commit a crime or terrorize innocent people, but we’re supposed to believe that we’re one lyric away from mass murder?

No one believes Al Pacino is really Scarface.

Yet we often believe musicians are uniquely authentic when they’re just characters attempting to find a way to get an emotional reaction out of their audience.

Whether it’s your favorite hip-hop artist or Jason Aldean, they’re playing a role and singing from a script they probably didn’t even write themselves — no different from an actor in Hollywood.

But my question is: Why this song?

Aldean’s song has been accused of being “pro-lynching.”

There have been country songs with violent depictions before, like Toby Keith’s “Bullets in the Gun,” which lyrically describes armed robbery and lawlessness.

What about this song’s relatively mild threats are so bothersome that the media insist on lambasting Aldean for creating it?

Well, it’s political and class-driven.

The coastal city-dwelling elitists in the media don’t like it when an unfavorable mirror is held up to their environment, especially by someone who embodies the “backward-thinking” nuisance coming from fly-over country.

They have no interest in seeing their own world from the outside, and they’ll be damned if the poors in rural America think they’re more moral than thou.

And guns? You’re not supposed to use them to defend yourself — you’re supposed to call the police department that you’re actively attempting to defund.

Leftists’ fragile egos won’t tolerate artistic criticisms from someone they only heard of days ago.